The Beginning of the loving Undine Marriage

From reading the passage of “The day after the wedding from Undine” one the book ” The Penguin Book of Mermaids”.In this passage where both perspectives of a married couple are told and the emotions that come with it. “I think, however, nevertheless, that you will keep me with you; I love so heartily” (104). The romance in this marriage is unpredictable journey when it starts. As the passage continues into the depths of Huldbrand and Undine. It seems how their marriage was mostly filled with Huldbrand thoughts of his partner. It is a something that lots of this passage mainly talks about how does the feelings of a relationship is wild and the path is long and winding. “Huldbrand. full as he was of strange fear and emotions, knew not what to reply” (104). It implies that Huldbrand is an overly affectionate man to his spouse and it is affecting her with lots tension throughout the passage and the example that shows this more from undine is that “No, there, opposite to me! I will read my sentence in your eyes, before your lips speak; now, listen attentively to what I will relate to you” (104). It seems like Undine is saying that she is not feeling as enthusiastic as her husband Huldbrand who is a persuasive and light hearted man.

For my thoughts on the passage is that their is something about this couple is that there is a thing about how people in real life can be out of touch of their behavior and to prove that in one example “Thus my father, who is a powerful water-prince in the Mediterranean Sea, desired that his only daughter should become possessed of a soul, even though she must then endure man sufferings of those thus endowed” (105). By this interpretation it means that there is two different meanings of what a marriage means for the recently married newlyweds on their honeymoon. Another undine interpretation of her perspective of marriage is “I am now passed of a soul, and my soul thanks you, my inexpressibly beloved one, and it will ever thank you, if you do not make my whole life miserable” (105) and (106).

The Day after the Wedding from Undine

All that was echoing in my mind while reading “The Day after the Wedding, from Undine” in “The Penguin Book of Mermaids” was like Professor Pressman said in class, “Love with a capital L”. This tale is the holy embodiment of what we typically consider to be love, or rather, what it’s displayed to be for us in the media. So it only makes sense her soul is tied to male validation, right? *crickets* The entire section was full of contradictions! I found it interesting it says, “She continued thus throughout the whole day, quiet, kind, and attentive,- at once a little matron and a tender bashful girl” (103). Even details like this about her personality also hold these major contradictions. Why is it that Undine can only have a soul if she obtains the love of a man? Why does her humanity have to be defined by her marrying a man? Have you guys ever thought about how odd it is that, in our society, for a relationship to be considered real in the eyes of the law you legally have to go through the ritual of getting married? Also, Undine explains she is magical…literally made from the elements, and even says, “Thus my father, who is a powerful water-prince in the Mediterranean Sea…”(105), indicating that she is of some royal lineage…yet none of that matters? She is, for some reason, less than Huldbrand and depicted as incomplete without him. This is important to think about because tales like this reinforce patriarchal standards, but also when looking at them deeper…heavily favor religion. The entire thing has strong religious themes, echoing the Christian sentiment that love is good and redeeming. According to the text, similar to our friend Undine, our souls can also be redeemed.

The Web of Life/ Hope

I have two distinct topics to address this week, which I wasn’t able to connect.

1

Eames’/Barnum’s mermaid specimen was exhibited in 1945, and by 1950 newspapers (according to Scribner) had moved on from wonder to scorn– publicly, officially, mermaids were a hoax. In 1959, Charles Darwin published his Origin of Species, one of the most important works in Natural History since Linnaeus’s Systema Naturae 100 years earlier. I was fascinated by a paragraph from the newspaper article based on one of Barnum’s staged letters, reproduced in Penguin p. 241 (“The Mermaid“). The third paragraph provides support for the plausibility of mermaids by presenting similar examples of recently discovered “hybrid” animals; the orangutan (“ourang outang”) “linking” animals and humans; bats and flying squirrels “linking” quadrupeds and birds, the flying fish “linking” aquatic animals and birds. I wonder how much this editorial reflects actual scientific thought at the time, and how much it is a layman’s interpretation, a fundamentally distorted perception of scientific consensus, the way popular science news is even today. Either way, it seems to represent an interpretation of the diversity of life somewhere between Linnaeus’s mostly arbitrary groupings (he was far better with plants than he was with animals) and Darwin’s “tree” of life. This idea of distinct groups of animals being connected by hybrids, or “links”, brings to mind a diagram not like a tree– but a web.

2

One line of Scribner’s chapter on Mermaids in the 19th century stuck with me

“… belief in merpeople still held stock in certain areas, as did the lingering hope that these creatures might exist.” (128)

This chapter discusses the movement of mermaids in Western culture from a frontier of scientific exploration (held equal in plausibility to the recently discovered platypuses and dinosaurs) to a debunked myth, but Scribner maintains the thread of human interest in mermaids, whether they believed in them or not. This line stood out to me especially because it expresses something I believe to be true– whether we accept or argue about the existence of mermaids– or, I’d posit, the modern equivalent, extraterrestrial life– there exist many of us who have a personal emotional stake in their existence. My theory? It has something to do with us not wanting to be alone.

Week 7: Mermaid sightings

After reading “The Feejee Mermaid Hoax” and its accompanying article “The Mermaid” in the Penguin Book of Mermaids, it is kind of intriguing how people are led to believe that mermaids actually exist. Although this section of the Penguin Book talks about Phineas Taylor Barnum exhibiting a mummified mermaid to the public, the article does talk about the mermaid in question, but only in the first paragraph.

In the article, Barnum writes that a young artist saw the Feejee mermaid and sent Barnum and his team a drawing of it. The artist assured them that the drawing was accurate to how he saw it, with its hair being the exception, which “he has taken the liberty to make a little longer than the original would warrant.” (241)

Here is how the Feejee mermaid was depicted:

Eugh.
Yes, I did take the liberty to search for that image on the web. To think that all mermaids were supposed to be beautiful, this grotesque human-fish monstrosity basically takes that and throws it out the window. If this is how mermaids actually looked like if they existed in our world, it would change how we view them quite drastically. However, this is just one depiction; others may vary.

Anyway, the article. It argues that mermaids have been considered by many as a “fabulous animal,” but naturalists think there’s too much evidence of the existence of them to be considered mere fantasy (241). Barnum then presents us with various sightings of mermaids, with their appearances and personalities varying every time. The authenticity of these sightings are disputed; we don’t know if they’re real or fabricated. However, there are two examples that caught my attention, and they are both found in page 243 of the Penguin Book:

The 1758 St. Germaine’s mermaid: “…about two feet long … fed with bread and small fish … female, with ugly negro features. The skin was harsh, the ears very large, and the back parts and tail were covered with scales.
The 1775 London mermaid: “Its face is like that of a young female–its eyes a fine light blue–its nose small and handsome–its mouth small–its lips thin, and the edges of them round like that of the codfish–its teeth are small, regular and white–its chin well shaped, and its neck full.

Yikes. If you read them closely, you can practically see the racism permeating from these descriptions alone. While the London mermaid was described as a very beautiful female, the St. Germaine mermaid, despite her agility and delight, is described as ugly because her skin looks black, hence the word “negro.” The use of the word “negro” coupled with the word “ugly” in the 1758 example implies that even mermaid sightings were rooted in racism. Keep in mind that these alleged sightings were reported while the transatlantic slave trade was taking place, when dark-skinned African people were forcefully taken overseas to work for their masters.

That being said, I think it’s crazy to include the last two examples in the article because it shows that not even mermaids were safe from racism. Sure, these creatures may vary per sighting, but these examples side-by-side reveal how Europeans (mostly White people by the way!) always found a reason to promote their idea of white supremacy during the mid-late 18th century.

Week 7: The Origins of the Modern Era

After reading the excerpt from “Undine” Pg. 101 – 106, I was able to see not just similarities between this story and the notable Little Mermaid, as the introduction explained, but to other stories we have read previously, such as Melusine. I have no doubt that Huldbrand and Raymondin would have been friends and bonded over their lack of boundaries, or respect for their partners. Not that they would be doing it maliciously, in this case referring more to Huldbrand, but its almost as though they don’t know any better. While Huldbrand is in love with Undine, his behavior seems as though he is more in a trance, or is being manipulated by Undine under the guise of being the helpless little Undine who needs her strong knight to carry her, ” I love you so heartily. Now carry me across to that little island, that lies before us. The matter shall be decided there” (Pg. 104). In this quote alone it shows the control she has over him, something one could assume she alluded to while speaking with Huldbrand, “Many a fisherman has been so fortunate as to surprise some tender mermaid, as she rose above the waters and sang” (Pg. 105), this in a way being her own form of admitting what she is doing to him, without him realizing it. However as I mentioned before, Huldbrand not knowing any better, goes on to convince himself that there is some sort of spell or teasing him, “The Knight tried to persuade himself that his beautiful wife was under the spell […]” (Pg. 105).

What really stood out to me most was besides the obvious love trance that Undine has Huldbrand under, she seems to be sucking his energy as well and thriving off it. Almost as through she is using Huldbrand like a vessel on the human land to conserve her own energy, or later use it on someone else. One example being when she demanded he carry her across the water. This may be outlandish, but heres why. I noticed that she sighs around him, 1. When Huldbrand was awoken by bad/good dreams, possibly inflicted by Undine, “[…] she only held out to him her fair hand, signed deeply and remained silent[…]”(Pg. 102), and 2. When Huldbrand was in shock when he was being told Undines truth, “Undine shook her head sorrowfully, drew a deep sigh […]” (Pg. 105). While this may be a small detail, I also understand that each word is a choice. Why is the sighing being mentioned more than once? Is it maybe, that she is absorbing his energy this way given that Huldbrand feels he can’t say, or feel what he’s thinking, “He could not believe it for a moment; a strange shudder passed through him; unable to utter a word, he stared at the beautiful narrator with an immovable gaze” (Pg. 105), the description of her breath then following. Maybe after all, he is the one under a spell, not his love, Undine.

Humanity’s separation from Nature.

For this post I will be talking about “The Day after the Wedding, from Undine” Pages 101 to 106 in the Penguin Book.

In the section in the Penguin book for the story Undine, the beginning text before we start reading the story makes sure to emphasize her role as a “water princess” and within the story itself how she alludes to being a “water spirit”. Rather than simply a mermaid. This to me highlights a deeper connection between Undine and nature, that she represents the element of water itself, embodying the bodies of water on the Earth (the oceans, lakes, rivers, etc). The story’s conclusion where we’re told after Huldbrands death, and after his love drifted to someone else (a more mortal or human person), Undine transforms into a body of water surrounding his grave. I saw this and their marriage as humanity’s bond with nature, as there is a saying how we return to nature after death. This made me think about how, in the context of these stories, humanity was much closer to nature, both literally and spiritually in the past, a point our professor made in class.

During the section where Undine talks about other spirits like herself, she says, “that there are beings in the elements which almost appear like mortals, and which rarely allow themselves to become visible to your race,” tells how nature—like Undine herself—is often only partially visible and understood. Showing how humanity is already, even around this time, separating themselves from nature in a way that didn’t necessarily break their bond. But in a way that lessened their understanding/outlook. As when Undine explained this to Huldbrand, “The knight tried to persuade himself that his beautiful wife was under the spell of one of her strange humours, and that she was taking pleasure in teazing him with one of her extravagant inventions. But repeatedly as he said this to himself, he could not believe it for a moment”, this quote shows he doesn’t believe her. Rather only focusing on her beauty.

Struggled a lot to put this into words, so I hope this makes sense.

Week 7: The Soul as a Gift and Burden

In this week’s reading of Friedrich de la Motte Fouque’s Undine, when the water spirit explains to Hulbrand the difference between her kind and mortals. “We have also no souls; the element moves us, and is often obedient to us while we live, though it scatters us to dust when we die; and we are merry, without having aught to grieve us.” This passage exemplifies the central tension throughout the story, the exchange between freedom and permanence. That of one between soulless joy and the suffering that comes with having a soul.

Undine’s speech reveals the paradox of her existence. On one hand, she is a water spirit which embodies beauty, playfulness, and power, however she is also transient and is subject to vanishing without a trace. Her father’s wish to have her gain a soul through marrying a mortal underscores the Christian framework wherein the soul is depicted as both salvation and a curse. To acquire a soul, one must enter into a world of suffering, grief, and moral struggle, however, they also gain eternal life and “meaningful” love.

One complication is Hulbrand’s role in this story as his marriage has unwittingly transformed Undine’s fate. Through gifting her a soul, it has also bound him to the responsibility of guiding her through a mortal existence. His doubts and nightmares are in direct contrast to Undine’s calm demeanor and acceptance of suffering, suggesting that the “inhuman” side of her may embody a deeper spiritual truth than that of the knight.

Ultimately, this reading invites us to reflect on what truly makes life meaningful. Fleeting joy without consequence, or a painful existence but with the enduring prospect of having a soul. Fouque seems to suggest that true love, one that is based in faith, requires the acceptance of both joy and suffering. And it is with this union that Undine truly becomes “human”.

The Soul as Awareness

While reading The Day after the Wedding, from Undine, I was able to explore what it truly means to be human. In this story, Undine reveals her identity and says, “Hence we have also no souls,” explaining that her kind was born without souls. However, when she later speaks about how Huldbrand’s love has changed her, she says, “I am now possessed of a soul, and my soul thanks you, my inexpressibly beloved one, and it will ever thank you, if you do not make my whole life miserable.” The most important theme of this story is the question of the “soul.” Whether one has a soul or not becomes the standard that decides who can be considered human. Undine claims that she came to understand the emotion of “love” only after she gained a soul. Therefore, I interpreted the “soul” in this story as a symbol of self-awareness, a unique ability that only human beings possess.

It cannot be said that only humans have emotions. Animals such as chimpanzees also feel basic emotions such as fear or joy. Yet the ability to recognize, classify, and reflect on those emotions belongs only to humans. Undine imitated human behavior, but without Huldbrand, she could never have become a being who is truly aware of her emotions. In this story, the soul that she gains represents the power to awaken such emotional awareness within her.

Based on this, I began to think that emotions can be divided into different levels. There are emotions that exist only as forms, and there are emotions that contain meaning. Emotions in their simple form are instinctive and shared by all living creatures, whether human or animal. Such emotions arise naturally, but they do not include awareness of the situation or the reason behind them. However, emotions given meaning through awareness involve understanding why those emotions appear and how they transform one’s sense of self. This process of becoming conscious of emotion seems to create the uniqueness of being human.

Ultimately, human beings are not merely creatures that feel emotions but ones that understand, remember, and find meaning within them. Undine, by gaining a soul that allowed her to give meaning to her emotions, could finally be reborn as a true human being.

The Fear of the Unknown and Dream Imagery in “The Day after the Wedding”

In this week’s reading of “The Day After the Wedding, from Undine” from The Penguin Book of Mermaids, Hulbrand’s strange dreams serve as both psychological foreshadowing and also as a symbolic reflection of his unconscious fears of his newlywed. The narration describes how, during the night, he had “wonderful and horrible dreams had disturbed [his] rest; he had been haunted by spectres” and he describes these “spectres” to be “grinning at him by stealth, and had tried to disguise themselves as beautiful women, and from beautiful women they all at once assumed the faces of dragons” (102). This shifting imagery of women turning into monsters does a great job capturing the unstable boundary between danger and beauty, which seems to be an important theme in the story. Hulbrand’s dream functions as a warning that beneath Undine’s enchanting exterior lies a mystery that he doesn’t understand. The transformation from female beauty to a monstrous dragon symbolizes his anxiety about the power and unpredictability of the feminine being, especially within the sacred institution of marriage.

This moment also shows the reading audience that there is a larger Romantic fascination with the supernatural, and is used as a reflection of inner emotion. The “pale and cold” moonlight that is present when Hulbrand awakes blurs the line between dream and real life, which makes the domestic space feel haunted by this unseen presence. His fearful glance at Undine–who is lying beside him in an “unaltered beauty and grace”–shows how quickly love can give way to doubt. Yet his attempt to rationalize this fear–seen when he “reproached himself for any doubt…”–reveals that his struggle is not only against supernatural forces, but also within himself. He wants to believe in her purity and grace, but his subconscious continues to be a force of resistance against that trust.

By beginning the morning with this vision, our author, Fouqué, prepares the reader and foreshadows the later revelation of Undine’s true identity. The dream dramatizes Huldbrand’s deepest unease–that the woman he loves might not be entirely human–and successfully foreshadows the tension between human reason and the supernatural. Through this reading, the story of Undine explores how fear and fascination can coexist in love, and how the supernatural becomes a mirror for the human psyche’s hidden anxieties.

Week 7 close reading response:

“Damsel in distress” is a key trope throughout “The Day After the Wedding, from Undine” passage . The beautiful and spirited Undine is “saved” by knight Huldbrand because she isn’t complete without a man saving her and removing her from her natural environment. No female heroine is found in this story, just shows how men are “complete” human beings that “need” to save a woman who are born “incomplete”. “She really loves him, and after the wedding she reveals to him she is really a water princess who, thanks to their marriage, now has a soul”(penguin 101). A water princess is in need of saving by a mortal man? This is a perfect depiction of how men paint women as helpless and innocent, no matter their upbringing. In the eyes of a man, every hero needs to be a male to help enforce the patriarchal gender norms that help men thrive and keep women deprived. Notice the phrase, “thanks to their marriage”, Huldbrand is the key to Undine’s salvation, that even her father, a Mediterranean Sea water prince, wished for her to marry a human. Undine is automatically portrayed as “baggage” to Huldbrand, despite him willingly marrying her and accepting her as she is or was. Undine was never able to save herself by gaining a soul on her own, her life was set to be doomed without a human man involved. How does the environment come into play? Well, in correlation to the quote and the passage ,the author is assigning nature as feminine. Hence, the nickname “Mother Nature” and the incessant need of man invading her space, in the name of “bettering” her. Our natural environment won’t be left alone as long as man lives.